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James Ainslie

James Ainslie – Modern Realism / Abstract Ainslie’s paintings resonate with an inherent passion for the country’s unique beaty, particularly the sandy dunes and reflective water of Queensland and South Australia. James was born in SA in 1950, graduated in art from the South Australian School of art and has exhibited throughout Australia and overseas since 1975. Annual visits to Broome ensure that Kakadu and The Kimberley remain strong influences.... Read More >>

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Ross Wilsmore

Held in many corporate and private collections both in Australia and overseas Ross Wilsmore's artwork is instantly recognizable. A sensitive colour palette, subtle light situations and distorted perspective all combine to create a surreal mood. Simple everyday scenes with interesting objects juxtaposed and isolated, so as one points to and accentuates the character of the other.... Read More >>





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Greg Jorgensen

Greg Jorgensen has travelled extensively overseas and throughout Australia and is inspired by the Australian landscape. He paints a range of natural features – escarpments, rivers, chasms, floodplains, deserts, saltpans, mountains, forests, waterfalls and gorges. These natural iconic shapes seem to embody landscape with deep meaning.bout Artist... Read More >>



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Pete Groves

Pete Groves was born in Melbourne where he completed a Bachelor of Arts in Graphic Design at Swinburne Institute of Technology. He travelled extensively overseas, finding the freedom to become a painter in Mexico in the 1990s.... Read More >>

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Matthew Petrucci

The human form is timeless, and it will always have a certain appeal because we as humans, can identify with the emotions expressed, and the form that it portrays; through body language and gesture. My figures are not happy or sad, just kind of present, but you know they have a story. Colour helps to amplify their intrigue, mystery and warmth.... Read More >>

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Elise Judd

Women are often the focal point of my artwork. I like to explore the place women have in society and the resilience they are able to show when faced with adversity. All my artwork has some form of autobiographical input. This is often reflected in the collage I select. In incorporting collage into my work I feel I can achieve a depth and interest that I could not achieve with paint alone. About Artist... Read More >>




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Richard Watson

In 2003 Richard established Maling Road Gallery in Canterbury which was followed by two more galleries in Hawthorn and Mansfield, a period as Manager of the Australian Guild of Realist Artists and a five-year role as Director of Exhibitions with Without Pier Gallery in Cheltenham.... Read More >>


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Greg Hyde

Greg Hyde’s etchings are produced using zinc plates covered with a protective coating. The image is scratched, in reverse, onto the coating using a sharp scribe tool, allowing the great detail to be achieved. The plates are then dipped in nitric acid which eats into the plate only where the coating has been scribed through. Various effects are achieved by reapplying different protective coatings to certain areas of the plate, and by variations in amount of time different areas of the plate are exposed to the nitric acid. Each etching is then individually inked and printed, and then often coloured by hand.... Read More >>



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Rowdy Warren

Rowdy is as Rowdy does – he is unto himself and creates art and vision like none other. His influences are varied but always true, strong and derivative of his vision and soulfulness.... Read More >>




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Tony Irving

Tony Irving is a Melbourne-based artist, whose figurative work and often ironic eye capture the world around, whether that world is an inner-urban Australian street, a Baroque square in Sicily, a Los Angeles diner or a contemporary perspective on still life.... Read More >>







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Anne Marie Graham - Paintings 2013 - 2018

When approaching the rapturous paintings of Anne Marie Graham we find a subtle but distinct visual logic at work. This logic speaks of a sense of order but also of a need to explore, and to discover the rich spectrum of life. Through her paintings Graham extends a hand to guide us through an intricate web of verdant, bucolic scenes rich in gaiety and wonder. The notion of taking a walk inside a painting has been active for over five centuries of art but never more so than in Graham’s blissful visions of the world through kaleidoscope-coloured glasses.... Read More >>





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